Cultural History and Scones

On Friday the 9th, we decided to explore more of the attractions Oxford has to offer. The four of us met Beth and rode into downtown Oxford, walking down Cornmarket Street to the Ashmolean. The Ashmolean is a museum filled with ancient artifacts like pottery, weaponry, and coinage, as well as several art and sculpture galleries.

Most of the rooms focused on either British, Roman or Chinese history. I most enjoyed looking at the currency exhibition and the pieces of jewelry scattered throughout the various rooms. They had bills displayed from all over the world, including money printed by the Confederacy during the American Civil War. There were thousands of coins in a range of sizes marked with the ruler of the time. The biggest ones were about 1 1/2 inches in diameter with the smallest about 1/4 inches in diameter. If coins today were that small I think I would be loosing them all of the time. Historians use coins to determine who were the rulers of Ancient Rome as each emperor had their likeness stamped on coins during their reign.

We moved on to the art galleries which were decorated with jewel toned wallpaper to fit the time periods of the paintings in their gilt frames. I perused most of the paintings quickly, pausing to read the plaques describing the artist and painting when one caught my interest. I can appreciate art and fairly intelligently discuss the symbolism and possible meaning the artist was trying to convey, as well as art techniques used, but I am very picky about what art I really enjoy.

At one point we all got a little separated as the rooms all seem interconnected, creating the feeling of a maze where you don't know where each turn and new doorway will take you. I managed to find Caitlin and we sat on a bench waiting for the others. To pass the time we discussed the painting directly in front of the bench. The focus of the painting was a sitting figure with shoulder-length blond hair, robes of pale pink and cobalt, and a light shining around the head. My guess was that the person might be the Virgin Mary since I believe she is often pictured in pink and blue robes with a halo. Seated around the figure were older men with greying hair and thick beards. To the far right were two more people, a man and a woman, with golden halo hovering over their heads.

The halos suggested a biblical scene but I did not know which one. Caitlin and I tried to make up stories about what was going on, and why all of these men were surrounding this feminine figure. Giving up the guessing, I rose from the comfortably padded bench and read the information plaque. We were pretty far off the mark. The central figure, which we thought was a woman due to the longer hair, fair face, and pink robes, was actually Jesus as a child when he first preached to the learned men of his village.

By this time we had managed to find each other. Only one floor was left for us to see and we moved through even more art galleries fairly quickly. The final room was smaller than the previous ones and decorated with emerald green wallpaper. Looking in the first alcove, I found that all of the paintings were appealing to me, and I spent several minutes reading their information cards. It was only when I was moving to another section to the room that I saw it was dedicated to artists of the Pre-Raphaelite art form which happens to be by favorite style.

The Pre-Raphaelite style is highly detailed with an emphasis on Nature. The paintings often depict characters from literature and myth. Scenes deriving from the Arthurian legends, Greek mythology, and the Shakespearean plays were all popular with the artists of the style.

William Holman Hunt, John Everett Millais and Dante Rossetti are often considered the founders of the art movement, though I am most familiar with the works of John William Waterhouse.

The gallery featured several paintings by William Holman Hunt which I found breathtaking with their emphasis on detail and the use of vibrant colors. I particularly liked The Afterglow in Egypt. According to the information plaque, Hunt had a very hard time getting the Egyptian girl in the painting to stand still long enough to sketch her properly.

Afterglow in Egypt
by William Holman Hunt

In the opposite alcove, there was a Waterhouse painting, and I had a bit of an "Oh my goodness, this is an actual painting by John William Waterhouse" moment. The Internet is so useful to learn about art, but it can not compare to actually standing before a famous painting in real life.

Ariadne by John William Waterhouse

The Waterhouse painting in the Ashmolean was Ariadne. It depicts Ariadne, the princess who gave a ball of string to Theseus to guide hime in the Minator's labyrinth. The two fell in love and eloped together but the goddess Athena demanded that Theseus leave Ariadne on a beach. The painting depicts the young woman, two leopards at her feet, reclining as Theseus' ship sails away.

We left the museum after I finished looking at the Pre-Raphaelite room and made our way down High Street to the Vaults and Garden Cafe for afternoon tea. The Vaults and Garden is in a beautiful rectangular room with vaulted ceilings that is attached to the Church of St. Mary the Virgin. The rustic tables and chairs were made from dark wood, and the dim lighting gave the cafe a very cozy feel.

I ordered English Breakfast tea and a scone. The tea came in a small green teapot to keep it warm. There were steel creamers, only two inches high, for holding the milk and sugar cubes. The large, golden brown, freshly made scone was served with clotted cream and raspberry jam. The scone was crispy on the outside but soft on the inside. I cut small pieces from the bread, spreading it with clotted cream then jam. I ate very slowly to appreciate how delicious all of the food tasted. I absolutely love the idea of having tea and a small snack in the afternoon to hold you over until dinner.